• Home
  • Basics of Typography
    • Origins of the Alphabet, 8
    • Type Terminology, 12
    • Type Measurements, 17
  • Five Classic Typefaces
    • Classifications, 24
    • Characteristics, 26
    • Garamond | Old Style, 28
    • Baskerville | Transitional, 34
    • Bodoni | Modern, 40
    • Century Expanded | Egyptian, 46
    • Helvetica | Sans Serif, 52
    • Type Families, 58
    • Exercise | Identifying Typefaces, 60
  • Designing with Text Type
    • About Type, 62
    • Letterspacing and Wordspacing, 64
    • Linespacing | Leading, 66
    • Line Length | Measure, 68
    • Type Arrangements, 70
    • Paragraph Indications, 74
    • Creating Emphasis, 76
    • Grids, 80
  • Designing with Display Type
    • Selecting Display Type, 84
    • Arranging Display Type, 86
    • Optical Considerations, 88
    • Punctuation, 90
    • Display Initials, 92
    • Modifying Type, 93
  • Color
    • Spot Colors, 96
    • Process Colors, 100
    • Projected Colors, 102
  • Projects
    • Solving Design Problems, 104
    • Five Classic Typefaces, 106
    • Type Arrangements, 108
    • Typestyles, 110
    • Paragraph Indications, 112
    • Expressive Words, 114
    • Visually Enhanced Quotation, 116
    • Early Letterform, 120
    • Grids, 124
    • Brochure, 126
    • Experimental Typography, 132
    • Ransom Note, 134
    • Logo, 136
  • Traditional Skills
    • Copyfitting, 138
    • Comping, 140
    • Copy Preparation, 142
  • Type Specimens
    • Classifications, 146
    • Foundries
  • References and Resources
    • Punctuation, 156
    • Typesetting | Digital Design, 158
    • Bibliography, 172
    • Index, 173
    • Colophon, 176
  • Professional Gallery
  • Designingwithtype.com
  • Comments
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©2010 James Craig
 
   
Bodoni is a Modern typeface, designed in the late 1700s by the Italian typographer Giambattista Bodoni. At the end of the eighteenth century, a fashion grew for faces with a stronger contrast between the thicks and thins, unbracketed serifs, and a strong vertical stress. These were called Modern typefaces. All the older faces became known as Old Style, while the more recent facesÑjust prior to the changes were referred to as Transitional. Although Bodoni has a small x-height, it appears very wide and black. Because of the strong vertical stress, accentuated by its heavy thicks and hairline thins, Bodoni should be well leaded.
Justified
Design Concerns
Improved Setting
Garamond Text & Layout
Flush Left, Ragged Right
Design Concerns
Improved Setting
Baskerville Text & Layout
Flush Right, Ragged Left
Design Concerns
Improved Setting
Bodoni Text & Layout
Centered
Design Concerns
Improved Setting
Century Expanded Text & Layout
Random
Design Concerns
Improved Setting
Helvetica Text & Layout
Garamond Text / Layout
Baskerville Text / Layout
Bodoni Text / Layout
Century Expanded Text / Layout
Helvetica Text / Layout